Monthly Archives: December 2011
The site was created in honor of Gokey’s late wife Sophia. As some of you may recall, in Idol season 8, Gokey shared the tragic story of losing his wife to routine heart surgery. Since then he has dedicated himself to raising money for Sophia’s Heart, reaching out to children and helping them through difficult times, at various stages of their lives.
“He is thrilled to have found Leyicet who also shares his passion and desire to help children and families in need. Accordingly, Danny & Leyicet have requested to their wedding guests that all gifts be in the form of a donation to Sophia’s Heart.
The couple went on to state:
“We are thankful for so many of the blessings God has given us. It is our desire to see homeless children and families be kept together and lifted back on their feet through the help of Sophia’s Heart. We love and appreciate you all.”
If you would like to make a donation to Sophia’s Heart as a wedding gift to Danny & Leyicet, go to https://www.sophiasheart.org/donate.php and enter in your name and wedding message in the comments.
If you’re one of those starving artists making a living by having a day job, you may not want to continue reading this. These are some pretty obscene amounts of money for walking out on stage and doing what you do best, but it’s what the market will bear.
Not to worry though. Several years ago Justin Bieber was posting covers through YouTube and now he’s in the top 25 grossing concerts for 2011. It’s all about networking, marketing, social media, and everything else non-music related. I know it sucks, but that’s the reality of making it in any business, especially in the arts.
Keep in mind these numbers are their gross earnings. The bigger their set, the larger the venue, the more their profit dwindles.
Leading the pack was U2, grossing a whopping $293,281,487 for only 44 shows!! That comes out to $6,665,488 per concert. Take That was close behind U2 for the per show gross coming in at $6,385,357.
I was pleasantly surprised to see an old school rock band beating out the likes of Britney Spears! Journey’s Eclipse tour with new frontman, Arnel Pineda, came in at $39m and Britney’s Femme Fatale tour was at $37m. However, the per show take for Spears was $951,000 compared to Journey’s $535,000 per show. Taking into account, sets, stagehands, and supporting personnel, I’d say Journey kicked some serious butt. Their set consisted of the standard fare with a large number of monitors in the background, where Spears set was extremely lavish and expensive with set changes throughout the show. I wouldn’t be surprised if she lost money on her tour.
So here they are:
- U2, $293,281,487 (44 shows) $6,665,488 per show
- Bon Jovi, $192,947,951 (68 shows) $2,837,469 per show
- Take That, $185,175,360 (29 shows) $6,385,357 per show
- Roger Waters, $149,904,965 (92 shows)$1,629,401 per show
- Taylor Swift, $97,368,416 (89 shows) $1,094,027 per show
- Kenny Chesney, $84,576,917 (55 shows) $1,537,762 per show
- Usher, $74,954,681 (73 shows) $1,026,776 per show
- Lady Gaga, $71,900,434 (45 shows) $1,597,787 per show
- Andre Rieu, $67,104,756 (102 shows) $657,889 per show
- Sade, $53,178,550 (59 shows) $901,331 per show
- Michael Buble, $49,856,921 (57 shows) $874,682 per show
- The Eagles, $49,759,190 (24 shows) $2,073,299 per show
- Katy Perry, $48,851,454 (98 shows) $498,484 per show
- Lil Wayne, $46,300,000 (69 shows) $671,014 per show
- Justin Bieber, $44,124,922 (35 shows) $1,103,123 per show
- Glee Live!In Concert! $40,854,811 (40 shows)$ 1,021,370 per show
- NKOTBSB (New Kids on the Brokeback and the Backseat Boys), $40,415,307 (51 shows) $792,457 per show
- Journey, $39,069,939 (73 shows) $535,204 per show
- Britney Spears, $37,100,000 (39 shows) $951,282 per show
- Iron Maiden, $33,085,671 (33 shows) $1,002,596 per show
- Kylie Minogue, $32,559,439 (41 shows) $794,132 per show
- Neil Diamond, $31,303,070 (20 shows) $1,565,153 per show
- Enrique Iglesias, $30,811,001 (38 shows) $810,815 per show
- Jason Aldean, $27,768,963 (58 shows) $478,775 per show
- Toby Keith, $27,313,132 (52 shows) $525,252 per show
Rockcityclub.com is the world’s first and only social music network.
Founded by entrepreneur and promoter Jack Wishna, who has worked on the careers of Michael Jackson, Britney Spears, Madonna and more, Rockcityclub.com is there to offer stand-out artists on the site access to some of the most creative producers in the music business.
The “Producer’s Circle,” is a group of some of the largest producers in the world. This exclusive group will review the music of artists who have registered and met certain criteria on the site. Once selected they then work with the artists one-on-one.
How cool is that?
If you are like most artists ““ starving ““ then get your butt over to rockcityclub.com and check it out.
Just think, you could be the next Justin Bieber.
I know, un-beliebable.
FULL PRESS RELEASE
LAS VEGAS, Dec. 16, 2011 /PRNewswire/ — Millions of undiscovered artists and bands looking to break into the music industry now have the opportunity to gain access to an elite group of GRAMMY, TONY, CLIO and JUNO award-winning producers, songwriters and directors at rockcityclub.com.
Rockcityclub.com is the world’s ONLY “Social Music Network.” It was founded by entrepreneur and promoter Jack Wishna, who has worked on the careers of Michael Jackson, Britney Spears, Madonna and more. Rockcityclub.com announced today the formation of the “Producer’s Circle,” which offers stand-out artists on the site access to some of the most creative producers in the music business to help them develop their careers.
The Producer’s Circle at rockcityclub.com, headed by Ron Dante, Executive Director of Talent Acquisition, brings together the largest music producers in the world. This exclusive group consists of over a dozen prolific producers including Phil Ramone, Ron Dante, Jack Douglas, Nancy Gregory, Lamont Dozier and Kevin Churko, to name a few. These individuals have worked with artists and bands such as: Lady Gaga, The Black Eyed Peas, Justin Timberlake, Maroon 5, Usher, Jennifer Lopez, Aerosmith, Selena Gomez, Rascal Flatts, Jay Z, Ozzy Osbourne, Madonna, Christina Aguilera, Gwen Stefani, Britney Spears, Keith Urban, Rod Stewart, Celine Dion, Miley Cyrus, Kelly Clarkson, Marc Anthony, Hinder, Kayne West, Tupac, Lupe Fiasco, Lil Wayne, Nickelback and Dr. Dre.
The Producer’s Circle is an elite group that reviews the music of rockcityclub.com artists and band members that have either met certain criteria on the website or have been selected immediately by the producers for review. Artists and bands that make inclusion into the Producer’s Circle now gain personal one-on-one attention from the biggest names in the industry.
With this firepower of producer talent, rockcityclub.com is in a unique and enviable position to discover, develop, market and promote talent from the membership ranks. Rockcityclub.com is the future for finding the next Lady Gaga or Justin Bieber, and to help advance an artist’s career to the next level.
“Our talented producers and songwriters have won a whopping 120 Grammy Awards, produced 210 Top 40 Billboard songs and created 61 #1 hits. We’re going to dominate the undiscovered talent marketplace with this career development program for new artists and bands,” said Wishna.
Artists and Bands can now submit their music and videos online from anywhere on the planet at http://www.rockcityclub.com.
For more info and the complete bios on the rockcityclub.com Producer’s Circle, please visit http://blog.rockcityclub.com/pc
On the heels of being inducted into the California Hall of Fame, The Beach Boys announced they’re reuniting for their 50th Anniversary Celebration in 2012.
Founding members Brian Wilson, Mike Love, and Al Jardine, will team up with longstanding members Bruce Johnston and David Marks.
The Beach Boys were formed in 1961 with Marks joining in 1962. Johnston replaced Glenn Campbell after Campbell’s brief stint with The Beach Boys in 1965.
You heard me right – Glenn Campbell was a Beach Boy!
This past summer The Beach Boys played at Thunder Valley Casino Resort. You can see photos here.
The Beach Boys will be back out at Thunder Valley to ring in the New Year on December 31st. To the best of my knowledge it will not be the reunited Beach Boys, but will include the same members from their summer concert including Mike Love, Bruce Johnston, and Love’s son Christian.
FULL PRESS RELEASE
HOLLYWOOD, Calif., Dec. 16, 2011 /PRNewswire/ — The founding members of The Beach Boys, one of the world’s most legendary bands in popular music history, will reunite for a global 50th Anniversary CELEBRATION in 2012. Beach Boys Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, and David Marks will come together for a new studio album and commemorative catalog releases with Capitol/EMI and a 50-date international tour to begin in April with a headlining performance at the New Orleans Jazz & Heritage Festival (“Jazz Fest”) as well as other exciting events to be announced.
Brian Wilson says, “This anniversary is special to me because I miss the boys and it will be a thrill for me to make a new record and be on stage with them again.”
Mike Love says, “We got together at Capitol Records and re-recorded ‘Do It Again.’ Brian and I wrote that song which went to number 1 in Great Britain, Australia and elsewhere some 44 years ago. Brian paid me a compliment saying, ‘How can a guy sound that great so many years later?’ Later on, while working out some harmonies on a new song Brian had written, I got a chance to return the compliment. It was a thrill to be around a piano again with Brian, Alan and Bruce and experience firsthand the brilliance of Cousin Brian’s gift for vocal arrangements. I am very much looking forward to David Marks joining us and thrilling with his surf guitar licks. Music has been the unifying and harmonizing fact of life in our family since childhood. It has been a huge blessing that we have been able to share with the world. Wouldn’t It Be Nice to Do It Again? Absolutely!”
Al Jardine says, “The Beach Boys were recently inducted into the California Hall of Fame. From our humble beginnings as brothers, cousins and friends, we have been honored to sing the praises of California, and I’m really excited for our fans to be able to see us again in concert on the world stage, and to celebrate our 50th anniversary together with a new studio album.”
Bruce Johnston says, “I will be looking forward to singing Brian Wilson’s melodies and Mike Love’s lyrics once again in concert with many of the original band members, but imagine what we all could come up with vocally in a recording studio atmosphere under Brian’s musical direction.”
David Marks says, “I’m really looking forward to celebrating this important milestone in The Beach Boys’ history with the other guys, and with Capitol Records – where it all began 50 years ago. It means a lot to me that we can all reunite and pay tribute to the fans who have kept the music alive.”
The Beach Boys have already recorded several songs for their new album, to be released in 2012 by Capitol/EMI, with more tracks to be recorded before its completion. The as-yet-untitled album, the first to feature all of the band’s surviving original members in decades, is being produced by Brian Wilson and executive produced by Mike Love.
The Beach Boys and Capitol/EMI have also teamed up for a 50th Anniversary campaign spotlighting the band’s entire catalog, with several new commemorative releases planned for 2012, including a new hits collection and a career-spanning box set.
Roger Faxon, CEO of EMI Group commented: “It’s no exaggeration to say that The Beach Boys are one of the greatest and most loved bands that the world has ever produced, and true American icons. We are incredibly proud to take this next step with them as our partnership enters its fiftieth year, and I can’t wait to see the band back together doing what they do better than anyone else.”
Colin Finkelstein, COO of EMI Music North America said: “We’re honored to continue Capitol/EMI’s historic partnership with The Beach Boys as they celebrate their fiftieth anniversary. The Beach Boys bring the best of California’s sun and surf culture to people all over the world with their music, and we’re really looking forward to working with the band on the new album and commemorative catalog releases – a real CELEBRATION of fifty years!”
Quint Davis, producer/director, New Orleans Jazz & Heritage Festival says, “It’s an honor to present the original Beach Boys reunion at Jazz Fest 2012. Hosting the greatest artists of our era has always been the primary mission of Jazz Fest, and certainly The Beach Boys are unsurpassed as an iconic American musical and cultural institution. Every spring Jazz Fest is the number-one destination for good vibrations and fun, fun, fun; on April 27th, when The Beach Boys reunite on our biggest stage, it’s going to feel like a thrilling homecoming for everyone lucky enough to be there. We’re all looking forward to experiencing the magic and the joy.”
Founded in Hawthorne, California in 1961, The Beach Boys were originally comprised of the three teenaged Wilson brothers: Brian, Carl and Dennis, their cousin Mike Love, and school friend Al Jardine. In 1962, neighbor David Marks joined the group for their first wave of hits on Capitol Records, leaving in late 1963, and in 1965, Bruce Johnston joined the band when Brian Wilson retired from touring to focus on writing and producing records for the group. For five decades, America’s first pop band to reach the 50 year milestone has recorded and performed the music that has become the world’s favorite soundtrack to summer.
The Beach Boys signed with Capitol Records in July 1962 and released their first album, Surfin’ Safari, that same year. The album spent 37 weeks on the Billboard chart, launching the young group known for its shimmering vocal harmonies and relaxed California style into international stardom. The Wilson/Love collaboration resulted in many huge international chart hits, and under Brian Wilson’s musical leadership, the band’s initial surf-rock focus was soon broadened to include other themes, making The Beach Boys America’s preeminent band of the 1960s.
In 1966, The Beach Boys were one of the first bands to found its own record label with the launch of Brother Records, Inc. (BRI), with the band’s members as its shareholders and Capitol Records as its distribution partner. BRI continues to manage The Beach Boys’ intellectual property, including the band’s catalog with Capitol/EMI and other label partners, as well as its name, logos, image and likeness.
The Beach Boys continue to hold Billboard / Nielsen SoundScan’s record as the top-selling American band for albums and singles, and they are also the American group with the most Billboard Top 40 chart hits (36). ‘Sounds Of Summer: The Very Best Of The Beach Boys’ is fast approaching triple-Platinum sales status, and ‘The SMiLE Sessions,’ released to worldwide critical acclaim in November, has been heralded as 2011’s #1 Reissue of the Year by Rolling Stone magazine.
Inducted into the Rock and Roll Hall of Fame in 1988 and recipients of The Recording Academy’s Lifetime Achievement GRAMMY Award, The Beach Boys are an American institution that is iconic around the world.
Sixty-two-year-old veteran rocker Eddie Money brought his Jingle Bell Rock tour to Thunder Valley Casino Resort on Thursday. Scheduled to appear was former Foreigner frontman Lou Gramm and former Jefferson Starship lead singer Mickey Thomas.
The day before their performance at Thunder Valley, it was announced that Gramm would not be performing for the remaining tour due to acute laryngitis, so Gramm was not in attendance.
As the concert kicked off with Money and Thomas taking the stage, the audience immediately started chanting, “Lou! Lou! Lou!” Money responded by explaining the situation and said they had added a couple of songs to their setlist to make up for the missing Gramm. This was followed by more than a few polite boos ““ is there really such a thing as a polite boo?
Money exited stage left while Thomas started singing “Jane.” Thomas wore a striped shirt with a loosely worn red Christmas tie, while he banged out “Sara,” “We Built This City,” “Nothings Going to Stop Us Now.” Thomas ended his set with “It’s Christmas Time Pretty Baby,” singing in the style of Elvis Presley.
The 62-year-old Thomas’ vocals really stood out throughout his set, sounding just as good as he did all those years ago, in particular when he sang Annie Lennox’s “Winter Wonderland.”
Backing Thomas was Money’s regular crew consisting of longtime band members Tommy Girvin (lead guitar) and Glenn Symmonds (drummer), with more recent additions Lee Beverly (bass) and Chris Groves (keyboards).
Following Thomas, Money came out singing “Baby Hold On” and “I Wanna Go Back.” As Money sang, he shuffled back and forth across the stage and even pulled out the saxophone to show everyone he can still play.
Rounding out the show, Money and Thomas took the stage together singing “Jingle Bell Rock” and a rocking version of “Jingle Bells.” For their encore they performed John Lennon’s “Happy Xmas (War Is Over).”
While Money’s vocals were not as pristine as Thomas’, he made up for it with his overall stage presence, sense of humor and kindness toward the audience, reaching out to shake hands with a few people in the front row.
Offstage, Money is extremely generous and cordial to all those around him, introducing himself to anyone standing near. His generosity doesn’t stop there.
Money is a strong supporter of the Elizabeth Glaser Pediatric AIDS Foundation and the Intrepid Fallen Heroes Fund, which helps support families of military personnel lost in service to our nation and for severely wounded service members and veterans.
Money is hoping fans will help bring some holiday cheer to heroic members of the armed forces by going to eddiemoney.com and purchasing his single “One More Soldier Coming Home.” All the proceeds will go to the Intrepid Fallen Heroes Fund.
The Jingle Bell Rock tour was originally started by Money. This past summer, Money performed at a benefit in a Los Angeles club where Gramm and Thomas also appeared. After some discussion they decided to work with Money and tour with him in the Jingle Bell Rock tour.
While this was Money’s show and he was the headliner, Gramm’s absence was a big disappointment for many of the fans in the audience. Especially after Foreigner just came through the area a couple of months ago with their new frontman Kelly Hansen leading the charge. Hansen did an awesome job and put on a high energy show ““ check out my review. I for one, was hoping to see the real deal – maybe next year.
Yes, the audience booed after they realized Lou wasn’t going to be there, but these diehard fans enjoyed the show nonetheless. It’s these types of fans that keep the old-school bands going. And it’s these types of bands that keep the old people going ““ and a little help from Geritol.
KNCI’s Country Christmas concert was an evening packed with country greats including The JaneDear Girls, American Idol finalist Danny Gokey, Sacramento’s own Attwater, Craig Campbell, and duo Montgomery Gentry.
Leading the pack was The JaneDear Girls coming out singing “Merry Go Round” followed by “Shotgun Girl.” The duo, made up of Susie Brown (vocals, mandolin, fiddle, bass, guitar, accordion) and Danelle Leverett (vocals, guitar, banjo, harmonica) are well versed in a number of instruments and they were continually switching instruments.
Brown also treated the audience to a fantastic solo piece with the fiddle. Quite impressive!
Local country music sensation Attwater came out with both barrels blasting singing “Daydreaming” and “Runnin”. The duo, consisting of Erika Attwater and Jonathon Richards, had an extra band member. Sorry, but I wasn’t able to get her name. I will research and update this as soon as I find out. She was awesome playing the Ukulele.
Craig Campbell followed Attwater. Obviously he has a lot of fans in the Sacramento area because the crowd went wild as he came out on stage. Towards the end of his set he sang his newly recorded Christmas song “I’ll Be Home for Christmas.” Dedicating it to Specialist Ben Nichols and his girlfriend Michelle.
The couple met at Country in the Park a couple of years ago and Nichols couldn’t make it to this years event, so he recorded a special message for everyone at this years Country in the Park. Pat and Tom brought Michelle onstage and asked her what is the one thing she wanted most for Christmas. She responded “To have Ben home,” at which point the brought Nichols onstage.
American Idol alumni Danny Gokey kicked his set off with “Bad Timing” and “Be Somebody.” Gokey sang a couple of his songs as well as a couple of covers. He did a great job working the crowd and getting them on their feet.
Montgomery Gentry blasted onto the stage and showed everyone in attendance why they were headlining the show. Troy Gentry and Eddie Montgomery were high energy with Montgomery stealing the show. He was all over the stage swinging the mic stand around like it was nothing. They started their set with “Hillbilly Shoes” and “Ever Stop Loving Me,” with the audience on their feet and cheering throughout their set and ended with “Gone.”
|The JaneDear Girls:
Merry Go Round
| Danny Gokey:
Like That’s A Bad Thing
What Hurts The Most
Second Hand Heart
O Holy Night
Crazy Not To
My Best Days
Life is A Highway
Livin’ On A Prayer
You Got Away
All I want for Christmas
| Montgomery Gentry:
Ever Stop Loving Me
Back When I Knew it All
Something to be Proud of
Damn Right I Am
Where I come From
Roll With Me
What do You Think About That
One in Every Crowd
A few weeks ago I covered the Chippendales out at Thunder Valley Casino Resort. If you recall, I really started to question my “maleness,” since I kind of enjoyed the show. So to test my maleness I decided to take in a Mixed Martial Arts (MMA) event.
It just so happened that Gladiator Challenge, a promoter of all things MMA, was hosting an event out at Thunder Valley Casino Resort. There were sixteen fights on tap, so I was going to get my fill of fights.
It was nice of Gladiator Challenge to have some really nice young ladies walking around in between rounds letting us know what round it was. I found them extremely helpful.
For those of you who may not know, an MMA event consists of two fighters getting into a cage that resembles a boxing ring, only this ring has a cyclone fence encircling it so spectators don’t end up getting a lap dance from one of the fighters being thrown out of the ring. There are three rounds for non-championship matches and five rounds for championship matches, with each round lasting five minutes each with one minute breaks in between.
The two fighters wear small gloves and have complete control of their fingers, unlike boxing gloves. Some wear little booties while others go barefoot. I guess they probably don’t call them little booties. Let me see – tiny little shoes?
Just prior to entering the ring their faces are given a coat of grease. As the half-naked men enter the ring you get a sense that the grease is bothering them, because that’s when they start looking all mean and nasty like they want to kill somebody.
Keep in mind this is the first time I’ve watched an MMA match, so I’m still somewhat unclear as to the rules. It appears that once they’re in the ring, they are required to run around in circles screaming at the audience and pounding their chests for effect ““ such brutes.
With sixteen fights scheduled, I thought I would be there for quite some time. Turns out these fights don’t last nearly as long as a boxing match. Most ended just minutes into the first round. A couple went to the second round and that was it. One ended within 45 seconds!
First up were John Younger and John David Reynolds. Reynolds, fists blazing, had Younger on the mat and in less than a minute – BAM! Game over.
In the fourth bout it was Jamie Hantz and John Wigglesworth, with Hantz winning by a technical knockout. Hantz came into the ring kicking and screaming ““ seriously kicking, because he proceeded to kick the crap out of Wigglesworth. I don’t think Hantz threw a punch. All I saw were his legs pumping out the kicks.
Oh, yeah. In between bouts someone had the unlucky role of cleaning up the blood spattered on the mat. Oh, joy.
There were several title fights, which I’ve listed below with the winner in bold.
Light Heavyweight: Don “The Predator” Frye vs. Reuben Villareal
Heavyweight: Rob “The Caveman” Jackson vs. Josh Appelt
Welterweight: Jeff Morris vs. Justin Baseman
Super Fight: Chris Wood vs. Cal Worsham
So did I pass my latest maleness test? Yes and no.
Yes – I found it appalling that these guys would get into a ring and simply beat the crap out of each other for the sport of it, but at the same time I found it oddly entertaining. So I’m counting that as a good thing – in a macho kind of way.
No ““ I couldn’t help but think of the similarities between an MMA fight and the Chippendales. Both are half naked, in good physical shape, and greased down prior to the show.
Since you rarely see men out at a Chippendale performance it’s obvious that guys would rather watch half naked, greased up men, roll around with each other rather than watch them dance around.
Sadly I believe I have failed my maleness test yet again, since I would rather go to a Chippendales show than watch a fight.
The whole blood and sweat spraying all over the ring didn’t work for me, and I found myself surrounded by testosterone laden men.
Now at a Chippendales show, I’m guaranteed to be surrounded by women.
I rest my case.
Wow. What the hell happened out at Thunder Valley Casino Resort Friday night?
It seems soft rock group Air Supply, playing to a packed house of lovesick fans, actually came out and rocked the house.
I know. I still don’t believe it, but it’s all true! It was bedlam, I tell you.
Here I Am thinking Sweet Dreams. What are the Chances I would find myself in a Sanctuary where Me Like You can feel The Power of Love – Everywhere, only to have a real rock concert break out. Seriously!?
Air Supply started out innocently enough with “Even the Nights are Better,” and then segueing into “Every Woman in the World.”
OK so far, but as veteran performers Russell Hitchcock (lead singer) and Graham Russell (lead guitar) weaved their hits through the guise of soft rock, I should have noticed the younger band members standing at the ready. That should have been my first clue.
The newest members to the band could have been playing for Papa Roach the way they were attacking their instruments, running and jumping around the stage. This should have been my second clue.
Jonni Lightfoot (bass guitar), CJ Burton (drums), Amir Efrat (keyboards) and Aaron McLain (guitar), all kicked out some serious tunes.
As the band made their way through their repertoire, the crowd started to react more and more with every hit played, but that all changed when Russell went acoustic with their new song, “Everywhere.” Just prior to the song, Russell requested that some audience members crowd down on the floor in front of him, having them sit on the floor.
While everyone was gathering around Russell, he explained how he enjoys sitting on his balcony at home and looking off into the mountains. He pointed to the spotlight, saying it represents the sun going down, and you all are the mountains.
“This song is about how love is all around us, and it’s called “‘Everywhere,'” he said.
Now I know you’re asking yourself, how is this not soft rock? Well, it is, but it’s really rocking in a Tesla/Eric Clapton unplugged kind of way.
But really the trick here is how Air Supply corralled a large portion of the audience to the very front of the stage and between the aisles. As soon as Russell was done with “Everywhere,” the band struck up “The One that You Love,” and Hitchcock headed out into the sea of madness, followed by Russell on guitar, neither of them missing a beat. That’s when they begin working the crowd into a complete frenzy.
Hitchcock was handing out hugs and kisses as he made his way up one aisle and down another. Women were grabbing at him as his crew fought to keep them at bay. Once they made their way back onstage, it was too late for the audience. They were under Air Supply’s spell, swaying to the music, with the periodic fan jumping up to grab Russell as he came close to the edge of the stage.
For their encore they played “Me Like You” and “All Out of Love.” It was quite obvious the crowd was not ready to leave, and there could only have been a handful of people who left before the end of the show.
I hate to say it, but Air Supply is a master of entertainment. There, I said it.
I like Air Supply.
Even the Nights are Better
Every Woman in the World
Here I Am
Power of Love
The One That You Love
Lost in Love
Dance with Me
Making Love Out of Nothing at All
Me Like You
All Out of Love