This after the 36 year old lead singer, Jacoby Shaddix, announced that he had to undergo vocal cord surgery in order to remove a nodule that has been causing him problems.
“It’s no secret that I’ve been having issues with my voice lately,” Shaddix said, “I was hoping to be able to go out there and kill it on this tour by resting and doing vocal exercises, but my voice has just gone out on me. I hate to let our fans down, but unfortunately surgery is the only way to fix it.”
The Rockstar Energy Drink sponsored tour also includes Shinedown, Godsmack, Staind and Adelitas Way. The tour continues through September 30th, when it wraps up in Albuquerque, NM
The Vacaville-based band is responsible for hits “Last Resort”, “Between Angels And Insects”, “She Loves Me Not”, “…To Be Loved”, “Scars”, “Forever”, and “Hollywood Whore”.
Papa Roach will be releasing a new album The Connection in early October.
On the heels of being inducted into the California Hall of Fame, The Beach Boys announced they’re reuniting for their 50th Anniversary Celebration in 2012.
Founding members Brian Wilson, Mike Love, and Al Jardine, will team up with longstanding members Bruce Johnston and David Marks.
The Beach Boys were formed in 1961 with Marks joining in 1962. Johnston replaced Glenn Campbell after Campbell’s brief stint with The Beach Boys in 1965.
You heard me right – Glenn Campbell was a Beach Boy!
This past summer The Beach Boys played at Thunder Valley Casino Resort. You can see photos here.
The Beach Boys will be back out at Thunder Valley to ring in the New Year on December 31st. To the best of my knowledge it will not be the reunited Beach Boys, but will include the same members from their summer concert including Mike Love, Bruce Johnston, and Love’s son Christian.
FULL PRESS RELEASE
HOLLYWOOD, Calif., Dec. 16, 2011 /PRNewswire/ — The founding members of The Beach Boys, one of the world’s most legendary bands in popular music history, will reunite for a global 50th Anniversary CELEBRATION in 2012. Beach Boys Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, and David Marks will come together for a new studio album and commemorative catalog releases with Capitol/EMI and a 50-date international tour to begin in April with a headlining performance at the New Orleans Jazz & Heritage Festival (“Jazz Fest”) as well as other exciting events to be announced.
Brian Wilson says, “This anniversary is special to me because I miss the boys and it will be a thrill for me to make a new record and be on stage with them again.”
Mike Love says, “We got together at Capitol Records and re-recorded ‘Do It Again.’ Brian and I wrote that song which went to number 1 in Great Britain, Australia and elsewhere some 44 years ago. Brian paid me a compliment saying, ‘How can a guy sound that great so many years later?’ Later on, while working out some harmonies on a new song Brian had written, I got a chance to return the compliment. It was a thrill to be around a piano again with Brian, Alan and Bruce and experience firsthand the brilliance of Cousin Brian’s gift for vocal arrangements. I am very much looking forward to David Marks joining us and thrilling with his surf guitar licks. Music has been the unifying and harmonizing fact of life in our family since childhood. It has been a huge blessing that we have been able to share with the world. Wouldn’t It Be Nice to Do It Again? Absolutely!”
Al Jardine says, “The Beach Boys were recently inducted into the California Hall of Fame. From our humble beginnings as brothers, cousins and friends, we have been honored to sing the praises of California, and I’m really excited for our fans to be able to see us again in concert on the world stage, and to celebrate our 50th anniversary together with a new studio album.”
Bruce Johnston says, “I will be looking forward to singing Brian Wilson’s melodies and Mike Love’s lyrics once again in concert with many of the original band members, but imagine what we all could come up with vocally in a recording studio atmosphere under Brian’s musical direction.”
David Marks says, “I’m really looking forward to celebrating this important milestone in The Beach Boys’ history with the other guys, and with Capitol Records – where it all began 50 years ago. It means a lot to me that we can all reunite and pay tribute to the fans who have kept the music alive.”
The Beach Boys have already recorded several songs for their new album, to be released in 2012 by Capitol/EMI, with more tracks to be recorded before its completion. The as-yet-untitled album, the first to feature all of the band’s surviving original members in decades, is being produced by Brian Wilson and executive produced by Mike Love.
The Beach Boys and Capitol/EMI have also teamed up for a 50th Anniversary campaign spotlighting the band’s entire catalog, with several new commemorative releases planned for 2012, including a new hits collection and a career-spanning box set.
Roger Faxon, CEO of EMI Group commented: “It’s no exaggeration to say that The Beach Boys are one of the greatest and most loved bands that the world has ever produced, and true American icons. We are incredibly proud to take this next step with them as our partnership enters its fiftieth year, and I can’t wait to see the band back together doing what they do better than anyone else.”
Colin Finkelstein, COO of EMI Music North America said: “We’re honored to continue Capitol/EMI’s historic partnership with The Beach Boys as they celebrate their fiftieth anniversary. The Beach Boys bring the best of California’s sun and surf culture to people all over the world with their music, and we’re really looking forward to working with the band on the new album and commemorative catalog releases – a real CELEBRATION of fifty years!”
Quint Davis, producer/director, New Orleans Jazz & Heritage Festival says, “It’s an honor to present the original Beach Boys reunion at Jazz Fest 2012. Hosting the greatest artists of our era has always been the primary mission of Jazz Fest, and certainly The Beach Boys are unsurpassed as an iconic American musical and cultural institution. Every spring Jazz Fest is the number-one destination for good vibrations and fun, fun, fun; on April 27th, when The Beach Boys reunite on our biggest stage, it’s going to feel like a thrilling homecoming for everyone lucky enough to be there. We’re all looking forward to experiencing the magic and the joy.”
Founded in Hawthorne, California in 1961, The Beach Boys were originally comprised of the three teenaged Wilson brothers: Brian, Carl and Dennis, their cousin Mike Love, and school friend Al Jardine. In 1962, neighbor David Marks joined the group for their first wave of hits on Capitol Records, leaving in late 1963, and in 1965, Bruce Johnston joined the band when Brian Wilson retired from touring to focus on writing and producing records for the group. For five decades, America’s first pop band to reach the 50 year milestone has recorded and performed the music that has become the world’s favorite soundtrack to summer.
The Beach Boys signed with Capitol Records in July 1962 and released their first album, Surfin’ Safari, that same year. The album spent 37 weeks on the Billboard chart, launching the young group known for its shimmering vocal harmonies and relaxed California style into international stardom. The Wilson/Love collaboration resulted in many huge international chart hits, and under Brian Wilson’s musical leadership, the band’s initial surf-rock focus was soon broadened to include other themes, making The Beach Boys America’s preeminent band of the 1960s.
In 1966, The Beach Boys were one of the first bands to found its own record label with the launch of Brother Records, Inc. (BRI), with the band’s members as its shareholders and Capitol Records as its distribution partner. BRI continues to manage The Beach Boys’ intellectual property, including the band’s catalog with Capitol/EMI and other label partners, as well as its name, logos, image and likeness.
The Beach Boys continue to hold Billboard / Nielsen SoundScan’s record as the top-selling American band for albums and singles, and they are also the American group with the most Billboard Top 40 chart hits (36). ‘Sounds Of Summer: The Very Best Of The Beach Boys’ is fast approaching triple-Platinum sales status, and ‘The SMiLE Sessions,’ released to worldwide critical acclaim in November, has been heralded as 2011’s #1 Reissue of the Year by Rolling Stone magazine.
Inducted into the Rock and Roll Hall of Fame in 1988 and recipients of The Recording Academy’s Lifetime Achievement GRAMMY Award, The Beach Boys are an American institution that is iconic around the world.
Today was Tesla’s day! No literally.
Honoring 25 years of making music and Sacramento history, Sacramento’s Mayor Kevin Johnson presented rock legends Tesla the key to the city. The location – The Rock and Radio Museum housed in the old Oasis Ballroom where Tesla got their start over 25 years ago. In fact, it’s the same location where Frank Hannon discovered lead singer Jeff Keith so many years ago.
Brian Wheat (bass), Frank Hannon (guitar), Jeff Keith (lead singer), Troy Luccketta (drums), and Dave Rude (guitar) were all on hand for the ceremony.
While Tesla knew they were being awarded the key to the city, they were unaware that Mayor Johnson was also going to officially declare today, December 7th, Tesla Day.
The Tesla crew immediately wanted to know if they were going to get December 7th off from now on.
Each band member approached the podium to thank Sacramento and Mayor Johnson, leading off with Wheat.
Frank Hannon wanted to make certain he thanked 98 Rock’s Pat Martin for working so diligently to get the band back together.
Keith got a little choked up as he was thanking everyone and reminiscing of when they first met back at the Oasis Ballroom. His voice still sounded a little scratchy as he’s still recovering from losing his voice. By the way the new dates for their postponed shows at Ace of Spades are January 27th and January 28th.
Troy and Dave really didn’t want to say anything, but they were “talked” into saying a few words. Troopers!
Tesla’s key to the city makes nine keys to the city that Mayor Johnson has awarded. Tesla joins Olympic winner Michael Phelps, jazz musician Wynton Marsalis, artist Greg Kondos, Hero pilot Chesley “Sully” Sullenberger, artist Wayne Thiebaud, Grant High School football team, pastor Ephraim Williams, author Thomas Friedman, all awarded keys to the city under Mayor Johnson.
Don’t forget to checkout Tesla’s latest album Twisted Wires! It demonstrates why they are the ones credited for bringing unplugged to the forefront of the music world.
Dennis Newhall curator of the Sacramento Rock and Radio museum wants to get the word out about the museum. They’re looking for any piece of rock memorabilia from the past in the Sacramento area. Anything, ticket stubs, matchbooks, posters, etc. They are collecting all of these under one roof to keep the memories alive. You can donate by contacting Dennis at firstname.lastname@example.org.
So I was approached by Todd Wagner from Ninth Street Opus to help publicize an upcoming event over at Public Television’s KVIE in Sacramento. You see Ninth Street Opus represents a San Francisco all-female group, Blame Sally, who’s scheduled to perform at the KVIE TV station on Saturday, December 3rd.
KVIE and Blame Sally are working together to create a pledge program to help raise money for Public Television on a national level. KVIE will be filming Blame Sally during their performance and using the footage to produce a PBS Special, which will ultimately be used in their pledge drives across the country.
I don’t think I need to go on about the value of Public Television and what it means for the community as a whole, but I do want to make sure that everyone understands who Blame Sally is and why they were chosen to perform at KVIE.
PBS wants to use Blame Sally as a role model for women everywhere. They are an example of healthy, authentic women, proud of their age and defying the odds by forming a successful rock band in their 40’s and 50’s. What they have accomplished is an inspiration to women across America.
Blame Sally is a little bit of country, a little bit of rock, a little bit of folk, and a whole lot of heart. They have been compared to the Indigo Girls, Dixie Chicks, and even Radiohead, but forget about all that, because one day some all-female band is going to come along and they will be compared to Blame Sally.
The band is made up of four young women ““ alright – Let’s say four not-so-young women. They bring a lifetime of love, happiness, disappointment, trials and tribulations and really just a whole lot of life to the table. It shows in their music, especially in their latest album A Speeding Ticket and a Valentine.
A few tracks that really stood out for me on their new album – “Living Without You,” a hard-rocking song about a woman uncertain whether to be devastated or exhilarated by a relationships end. “Countdown,” with its driving beat and then “Big Big Bed,” which you gotta love simply because of the washboard paying in the background.
So who are these women of wisdom and why do they work together so well?
Pam Delgado (percussion and vocals) ““ Wishes she still owned the family car from when she was just a kid. It was a Lavender Pontiac Bonneville complete with a Clamshell from Sears.
Renee Harcourt (guitar, bass and vocals) ““ She’s really the talented one out of the four, but don’t tell the others that. She can juggle, ride a unicycle and whistle loudly with or without fingers, but not all at the same time and hopefully not onstage.
Jeri Jones (guitar, bass and vocals) ““ I tried to call Jeri but never did get through. All I heard on the other end of the phone was “who the *&$@%# is calling me before I’ve had my morning coffee!” I did hear she’s prone to pre-coffee accidents. Luckily all their performances are late in the day.
Monica Pasqual (piano, accordion and vocals) ““ She’s started a billion songs and never finished them. Something about being superstitious when it comes to songwriting. She has to have at least two good verses and chorus before she can walk away, otherwise it’s a lost cause. All the other songs she’s completed? One word ““ perfection.
Together these women make up Blame Sally. Granted an odd bunch and not a Sally in the lot, but it doesn’t matter as long as they keep pumping out some really awesome tunes.
Get out there and show your support for Public Television and Blame Sally.
KVIE TV Station
2030 W. El Camino Ave Sacramento, CA 95833
Saturday, December 3
7:00-8:30 pm “¦. AND”¦. 9:00-10:30 pm
Regular Admission: Per Show: $25 / Both Shows: $45 150 seats available
VIP Seating: Per Show: $100. Only 50 VIP seats available!
You may remember Dia Frampton as a contestant and runner-up on the first season of The Voice on NBC.
Frampton was selected to be on the team of Coach Blake Shelton. Shelton selected Frampton and said, “When I heard her voice, I started to smile.” She made her way to the semi-finals with renditions of “Heartless” and “Losing My Religion.” For the season finale Frampton sang “Inventing Shadows,” an original song written by Fraser T. Smith.
All the above singles were the highest charting digital songs on iTunes by any of the contestants in the show, with “Inventing Shadows” topping the charts at #1.
Shelton and Frampton formed a special relationship during the show, with Shelton professing that she had become part of the family through their journey together on The Voice. He committed to helping her beyond the show, which he has in some big ways.
Shelton set Frampton up with some songwriter friends, helped her produce her upcoming album “Red,” due to be released on December 6th, 2011, and now they will be touring together in Shelton’s upcoming tour “Well Lit and Amplified Tour 2012,” set to open in January.
Hmmm. I’ve got to wonder what wife Miranda Lambert thinks about this cozy little relationship. I thought on the show it was getting a little creepy, but now they are actually going on tour together. Only time will tell.
Ahead of her new album and upcoming tour with Shelton, Frampton has released a new single “The Broken Ones.” The video Features several of her sisters, including Meg Frampton, who Dia formed a band with back in 2004 and were known as Meg and Dia.
The song is about loving the faults of others. It’s a nice tune with just enough country thrown in to appease her newfound country audience.
Frampton has a great voice and a long career ahead of her. I’d like to see her break away from Shelton after the tour so she can spread her wings and have a little bit more of Dia shine through her music. I believe Miranda’s in complete agreement with me on that one.
The Cirque Shanghai’s Bai Xi put on a breathtaking show Thursday and Friday night at Thunder Valley Casino Resort, playing to a standing room only crowd both nights.
Bai Xi translates to “one hundred amazing acts.” However, I only counted 16, but they were 16 amazing displays of physical strength and grace. The show was full of spectacular colors, talented young men, women, and a number of young girls. It was a magical night with some mind-boggling performances and a variety of visually stunning costumes.
As the show opened the performers started in the back of Pano Hall dressed in spectacularly colorful costumes. Working their way through the audience with a winking parade style dragon and waving giant flags, they were saying hi to audience members and shaking hands as they made their way to the stage.
Once onstage they immediately started in with their incredible balancing act with a unicycle riding on top of a red umbrella and then appearing to fall off stage. These guys had everything from contortionists to roller skating, including juggling pottery and even hats!
The contortionists, dressed in yellow, ranged from little girls to young women. They started by arranging themselves in a single file row from front to back, with the smallest in the front as they spread their arms out. They started climbing over each other, bending into unimaginable positions. It was quite the spectacle.
Next up was a number of young men and women balancing on a single ladder. As one man made his way on stage he was balanced on a ladder, wiggling his way to center stage. Once there another man climbed on from behind and made his way to the shoulders of the first man. They finally ended up with four men balanced on the ladder.
At one point a number of young kids came out stuffed in colorful barrels, and I mean stuffed. These kids were very bendable and at one point there was one in one end of the barrel and another in the other end and then they would trade off balancing each other on the one end. Crazy!
There was an awesome hat routine that was very well choreographed. These guys made their routine look deceptively easy, until they called a few audience members onstage to help them out.
That’s when I noticed Rachel Steele, lead singer of local country rock band Road 88sitting in the audience. As they were looking for volunteers it
was obvious that Steele did not have her hand up, but one of the men went right to her and insisted she come up onstage. It was funny watching Steele, who is used to leading, having to follow these guys as they directed her, and three other audience members through several routines.
I’m thinking with fellow Road 88 band members Scott Prentice and Billy Haggard in attendance that they somehow had a hand in arranging Steele’s selection. Steele was definitely caught off guard.
Steele was doing a great job and you could tell she felt this was in the bag when they had her dancing and clapping her hands above her head, nothing she wasn’t used to. However, once they started showing her their hat routine she had quite a bit of difficulty duplicating their moves.
The other two audience members didn’t fare any better than Steele, but kudos to the young lady who actually did a cartwheel, much to the audience’s delight.
This was a fast paced show with stunning acrobatics, gymnastics, and a whole lot of grace. The only downside of the night was the height of the stage. During several acts the stage was so low that it was difficult to see what was going on. Luckily there were only a few parts where it was difficult to see.
I’m sure they will be back to perform at Thunder Valley again and if they do, you won’t want to miss it! I have a feeling Rachel will.
I guess Rihanna didn’t want to be left out after Aerosmith’s frontman Steven Tyler took a nosedive in a hotel shower last week.
Not to be outdone, the 23 year old singer was taken to a Swedish medical institution yesterday and hooked up to an IV drip.
Rihanna is currently in the middle of her world tour and was to perform in the city of Malmo, but had to cancel. She tweeted an apology to her fans as well as a photo of her arm with an IV drip connected to it.
According to Rihanna she came down with the flu. A representative of Live Nation stated that she was “. . . not in any condition to conduct a concert.” She was expected to continue her tour as scheduled.
Rihanna’s not the only one coming down with the flu. George Michael recently had to cancel the start of his comeback tour in London’s Royal Albert Hall due to a viral infection.
Rihanna was recently named the world’s sexiest woman alive in their November 2011 issue.
It was quite the Journey down memory lane last night at Sleep Train Amphitheater in Wheatland, CA. It was surreal at times, leaving me feeling like a Foreigner in a strange land. I felt safe the entire Journey since there was always a Night Ranger close at hand.
That was one rockin’ show out Marysville way Friday night. Journey brought their Eclipse tour along with fellow rockers Foreigner and Night Ranger. Talk about an epic four hour journey.
Leading off the night was Night Ranger with original members Kelly Keagy (drums/ vocals), Brad Gillis (lead guitar/vocals), and Jack Blades
(bass/vocals). Newest additions to the band were Joel Hoekstra (guitar/backing vocals) and Eric Levy (keyboards/backing vocals).
Playing to a less than half full crowd – or is that half empty? – Night Ranger opened with “Lay it On Me.” The fans that showed up early
thoroughly enjoyed the set. The band also performed “High Enough” a Damn Yankees song. As some of you may recall, Jack Blades formed the Damn Yankees back in 1989 with Ted Nugent and Sammy Hagar, breaking up in 1994.
In between sets I wandered to the front gates to find 100’s of fans buying last minute tickets. By the time Foreigner took the stage the amphitheater was almost filled to capacity.
As Foreigner began their set with “Double Vision” it was quite obvious that the boomers in the crowd had become quite inebriated and weren’t feeling any pain. It was kind of comical seeing people staggering about due to their double vision while listening to “Double Vision.”
Obviously absent was original band member Mick Jones. Not to worry since lead Singer and Steven Tyler look alike, Kelly Hansen commandeered the stage with a take no prisoner’s attitude. Hansen was in complete control of the audience the entire set, jumping from one side of the stage to the other.
Hansen really got the crowding going as the band plowed through their hits including, “Head Games,” “Cold as Ice,” and ending with their smash hit “Hot Blooded.”
Much to the delight of cheering fans, Hansen really kicked it into gear when he jumped out into the crowd several times during his performance. Although there were a few fans that weren’t too happy to have the spotlight shining on them while taking a hit from their medical stash.
By the time Journey jumped up on stage the amphitheater was packed. The lawn seats were full and remained so to the end of the concert, which is unusual for a four hour concert.
I couldn’t believe the balls Journey had taking the stage. It was quite a sight. I don’t think I’ve ever seen balls that big. Seriously, these beach balls were huge. The audience really loved it as they kept hitting them to each other, back on stage, up in the air – quite fun!
Journey hit the stage in a sea of laser lights and of course those huge beach balls, performing “Separate Ways.” As many true Journey fans will tell you, there is no replacing Steve Perry as lead singer. However, I think the band has found a remarkable replacement with Arnel Pineda. He’s bundle of energy, sporting colorful tattoos and man can he sing. I’d swear it was Steve Perry on stage. In fact, I would argue he sounds like the young Steve Perry, which is even better sounding than the old Steve Perry.
Original band members included Neal Schon (guitar/vocals) and Ross Valory (bass/vocals). Another new member was Deen Castronova (drums/vocals).
Pineda has lots of energy onstage and while he tried to command the crowd I don’t think he quite had the entire audience eating out of his hand. I found him paying way too much attention to the fans in the first few rows ultimately spoiling it for people farther back in the audience. Many times he would almost lay down on stage to shake hands and sing to the few people who scored good seats, only to leave out the rest of the crowd.
Even though Journey is promoting their latest album Eclipse, they only played one song from it entitled “City of Hope.” Journey played many of their hits including “Wheel in the Sky,” “Open Arms,” and “Lovin’, Touchin’, Squeezin’.”
For their encore they brought the house down with “Don’t Stop Believin'” and “Any Way You Want It.” While they played many hits they still had plenty more to play, leaving me to think they should drop one of the acts and think about touring with one band, rather than three.
I’ve had a number of people ask me who was the better band ““ Foreigner or Journey? I have to say I thought Foreigner ruled the night, but Journey really stood out due to the newest lead singer, Arnel Pineda. I have to call it a tie. If it wasn’t for Arnel and his ability to sound like the young Steve Perry, I would have given the night to Foreigner. It really was a contest between front men Kelly Hansen and Arnel Pineda.
One thing I have to respect is a band that gives a shout out to the city they are in, not one that’s miles away. Every band gave a shout out to Sacramento! Guys it’s Wheatland. Ok, I’d give you Marysville, but Sacramento? It’s not like we were in downtown Sacramento. You don’t hear bands giving a shout out to Sacramento at any Bay Area concerts! Maybe they should.
Regardless, it was a memorable night with some great music and a whole bunch of inebriated people to watch and laugh with ““ never at.
Night Ranger set-list:
Lay it On Me
Sing Me Away
High Enough/Coming of Age (Damn Yankees cover)
When You Close Your Eyes
Don’t Tell Me You Love Me/Hotel California (the Eagles cover ““ Snippet)
(You Can Still) Rock in America
Cold as Ice
Dirty White Boy
Feel Like the First Time
I Want to Know What Love Is
Juke Box Hero
Ask the Lonely
Send Her My Love
City of Hope (Eclipse)
Only the Young
Stone in Love
Wheel in the Sky
La Do Da
Be Good to Yourself
Lovin’, Touchin’, Squeezin’
Any Way You Want it
Don’t Stop Believin’
The Rock Allegiance Tour pulled out all the stops for the last night of their summer tour.
Sacramento’s Power Balance Pavilion hosted an unforgettable evening of loud riffs and primordial deafening screams. Seven bands were schedule to perform. Drive A, Crossfade, Red, P.O.D. and Puddle of Mud were scheduled to perform, as well as co-headliners Buckcherry and Papa Roach. Puddle of Mud was unable to attend due to an illness. Me be thinking hangover, but what do I know?
This concert was off the charts with people jumping over barriers to get to the bands and the bands jumping over barriers to get to fans. I didn’t know whether I should be watching the bands or the crowd. Both were entertaining, both were over the top and both were screaming at each other. It was a mess!
Out of all the bands, I think Buckcherry had the best performance of them all. While just as crazy as the other bands, they had a modicum of
control to the point of sounding like a real band. Not to rip the other bands, but when these guys are screaming into their mics with their guttural growls and flying through the air like Mighty Mouse on crack, it’s hard to hear them because they’re out of breath – or headbanging with someone in the crowd. It was obvious that absolutely nobody agreed with me, since everyone was screaming and singing along with each and every band.
Once Buckcherry took the stage there were a number of people jumping the barriers, only to be rewarded with the ever so gracious security team greeting them and quietly and politely dragging their sorry arse to the curb. Once Buckcherry jumpstarted the crowd into a renewed frenzy, they passed the baton to Papa Roach to finish the night off in style.
Papa Roach hit the stage in full stride and had heads bopping, fans rocking and people jumping off the stage. It was quite an event and all caught on tape, since Papa Roach was filming their part of the show for a new music video. They even had a $100,000+ camera on a boom moving over the crowd to catch all the action.
This really was a night to remember ““ such a bestial display of pure testosterone all on one stage. As I was heading home listening to the Backstreet Boys I kept wondering what it would be like to fly around like Mighty Mouse on crack, maybe next time.
Bringing her raunchiest of raunchy, her sleaziest of sleaze, and her ton, or two of glitter, Kesha brought her Get Sleazy tour to UC Davis Tuesday night. Opening acts were Spank Rock and LMFAO.
The Pavilion at the ARC was transformed into a rave party, complete with glitter, balloons, and top notch entertainment. Adding to the rave feel, the main floor was cleared of all seats giving people the opportunity to mingle during the quieter times, and dance during the show. And a rave party wouldn’t be complete without a few CO2 powered glitter canons spraying the audience in all that shiny stuff.
The audience was made up of mostly women. The few men I saw were either gay, or being dragged by their significant other to the concert. Poor schmucks had no idea how much fun they were going to have! Almost all the women donned glitter and some form of spandex or fishnet stockings. Yes, I did see a couple of guys mimicking LMFAO too, so it wasn’t just the ladies playing dress up.
The sad part about the audience was the large number of young kids that attended. I saw numerous grade school age kids running around the floor, apparently the parents off doing their own thing. Kesha and LMFAO are energetic and fun to party with, but a concert like this is no place for kids!
Featuring Redfoo and Sky Blu, LMFAO supercharged the audience before Kesha took the stage.
Now I’ve heard a number of their hit songs such as “Party Rock Anthem,” and “I’m in Miami Bitch,” but I had no idea what I was in for with these two clowns.
Sporting his signature glasses, arms painted bright neon yellow, green, pink, and wearing a tank top that read “Party Rock. It will get inya bones,” Redfoo came out rockin’ to “Rock the Beat”, with his nephew Sky Blu in tow. The duo was originally written off as a one-hit-wonder, only to emerge as a bona fide hit-making machine, leaving many critics scratching their heads.
They had acrobatics, beach balls, foam hands, CO2, a dancing panda, and who can forget the blow up zebra being bounced around the crowd. Later during the show I found the poor zebra off in a corner with a bunch of girls laughing at it. I called PETA and they laughed at me – how humiliating ““ poor zebra.
This was a totally high energy show with LMFAO making you feel right at home. They gave the concert a “feel good” vibe from start to finish. Expect to hear a lot more from this duo in the future.
By the time Kesha made it on stage the audience was in total rave mode, screaming, shouting and simply having a great time. All thanks to the opening acts, especially, LMFAO.
Kesha started off by telling everyone to “. . . Just be yourself,” then added, “Take off your clothes!”, which I proceeded to do, but people were looking at me kinda of funny and laughing, so I stopped ““ I think it must have been my Superman Underoos, but my wife thinks they were laughing at something else.
Dressed in fishnet stockings, glitter, and some wild ass glasses outlined in bright lights, Kesha came out singing the title track “Sleazy.” With her sleaziest garb and wonderfully naughty attitude, she had the audience’s attention, never letting go the entire show.
She sounded and looked phenomenal. While there were a few times she sounded out of breath, her voice was spot on and it sounded like I was listening to her live ““ crap, I was listening to her live, no wonder she sounded so good.
There are many people that haven’t given Kesha a chance. I think it’s because of her various styles and “live in the now” attitude. She’s tough to define, I get that, but that shouldn’t detract from her talent.
I see a mix of Iggy Pop, Lady Gaga, Britney Spears, and a little dose of Alice Cooper, all rolled into one delectable morsel of naughtiness.
Give her a listen and decide for yourself!
Take it Off
Fuck Him He’s a DJ
Blah Blah Blah
Party at a Rich Dude’s House
C U Next Tuesday
Grow a Pear
Your Love is My Drug
We R Who We R
Fight For Your Right
Rock the BeaT
Take It to the Hole
Put That Ass to Work
I’m in Miami Bitch
Sexy & I Know It
LA LA LA
Party Rock Anthem
Reminds Me of You
Lil Hipster Girl
|Spank Rock Set-list:
Turn it Off
Race Riot B/O
Look at Me Now