The sometimes serious, sometimes mysterious, and always mystical Gemini Syndrome has just released a new video of their new track “Pleasure and Pain.” This should placate their fans who are waiting patiently for the release of their new record due out in 2013 – not too much longer!
This band of lyrical geniuses comprised of Aaron Nordstrom (lead vocals), Rich Juzwick (guitar), Mike Salerno (guitar), Alessandro Paveri (bass), Brian Steele Medina (drums) have totally killed it with this video.
“Pleasure and Pain” is a great song with some heavy lyrics and some heavy guitar playing, as Nordstrom pounds out some awe inspiring guttural verses with just the right amount of his softer side, if there is one.
“Pleasure and Pain” is a testament to the talent of Nordstrom’s vocals, and the great guitar work that can be heard throughout the piece by Juzwick and Salerno.
The video really brings “Pleasure and Pain” to life with some fantastic graphics and some nice close-up and gritty footage of band members playing their instruments – not those instruments!!
Have a listen and enjoy the video!
The Outlaws formed in 1967 and have been playing off and on since that time.
Founding members Henry Paul (lead singer/guitar) and Monte Yoho (drums), were joined by Chris Anderson (guitar), Randy Threet (bass), Dave Robbins (keyboards), and Bill Crain (guitar).
Kicking off their set with “Tomorrow’s Another Night” and “Love Song” it was evident that most of the audience was made up of diehard fans as they started singing along with the band.
They played quite a few new songs from their latest album It’s About Pride.From my past experience when older bands start playing their newer “stuff”, they tend to lose the audience, but that was not the case. Their fans remained engaged throughout their set with most of them on their feet.
There was a problem with Crain’s amp when halfway through “Love Song” his guitar shutdown. After several frantic minutes of changing out the amp, he was able to resume once they started “Hurry Sundown”, one of their newer songs.
Tomorrow’s Another Night
Hidin’ Out in Tennessee (new)
Born to Be Bad (new)
Last Ghost Town (new)
Right Where I Belong (new)
It’s bout Pride (new)
Trail of Tears (new)
Discovery Park in Sacramento, California, came alive as the first annual Monster Energy Aftershock Music Festival roared into town on Sunday as 13 hard/alternative rock bands played to over 12,000 screaming fans.
Sponsoring the event along with Monster Energy was Sacramento’s own 98 Rock, along with Schecter Guitar Research, Jagermeister, and Arms Division.
There was a large stage for the more mainstream acts and a smaller stage for the lessor known acts, leaving very little downtime between sets, with the exception of Stone Temple Pilots, who closed the show, but more on that later.
People didn’t have far to walk since the two stages were close together, but as the day heated up many fans camped out under some shade towards the center of the park, providing them with the ability to listen to either stage. There was the occasional fan passed out in the middle of the park, but I guess that’s to be expected.
There was plenty of food and drinks to be had, including several popular food trucks from the area. Beer and mixed drinks were also available. The lines for food and drinks were constant, but not too long. The merchant’s booth had constant lines as well with the wait being a little more than for food.
The bands included FallRise, Stepchild, Beware of Darkness, Gemini Syndrome, Theory of a Deadman, Hell or Highwater, Chevelle, Escape the Fate, Bush, Oleander, Deftones, Hollywood Undead, and Stone Temple Pilots.
Leading off the pack was Sacramento’s own Fallrise on the main stage followed by Stepchild on the second stage. Both bands were well received and did an awesome job. They were one of the few lucky bands since there was still some cloud cover keeping the area cooled off.
As the music started ramping up with Beware of Darkness and Gemini Syndrome, so did the crowd as a couple of thousand blossomed into at least four thousand in between bands. As the crowd grew, so did the plume of smoke as many concertgoers lit up their holiest of weed, with some heading into the mosh pit for a little head-banging.
By the time Chevelle hit the main stage there were at least 10,000 energized fans that were ready to rock, as a number of them started crowd surfing. As one person rode the wave into the pit (only to be escorted out) another one would follow. The constant stream of surfers kept security personnel pretty busy for the better part of the day.
Sacramento was well represented with not only Fallrise and Stepchild opening the festival, but helping closeout the event was Oleander and the Deftones. The Deftones also have a new album that will be released in November Koi No Yokan.
The biggest standout of the festival was by far Beware of Darkness, with lead singer Kyle Nicolaides killing it with his raspy vocals, onstage antics, and overall stage presence. They could have easily have been deeper in the lineup as Nicolaides owned the stage. He has a Lady Gaga style about him that is bound to take him to new heights.
The biggest surprise of the festival goes to Bush who kicked some major arse as lead singer Gavin Rossdale put on a very high energy show in 90+ degree weather. The 46 year old, and quite fit, Rossdale ventured out into the crowd making his way to a platform off to the side reserved for the handicap. He was constantly fist-bumping and high-fiving fans as he waded through the ever increasing number of fans. Bush still has what it takes and clearly should have been the headliner of the festival.
The biggest disappointment goes to Stone Temple Pilots as their set was delayed with thousands of fans patiently waiting, but the real disappointed was once they got going. Lead singer Scott Weiland
Sounded a bit off at the start of their set, but was able to bring it home towards the end. However, due to the long wait and the sound being off, hundreds of fans started heading towards the exits before they even finished their first song “Sin.”
I should add that Theory of a Deadman deserved to be further in the lineup, especially after STP’s performance.
My 13 year old son Aidan said his favorite band (other than Hollywood Undead) was the one with Gandolf as the lead singer – hmmm – that must have been Gemini Syndrome with lead singer Aaron Nordstrom (as Gandolf).
Hat’s off to all the drunken fans that were totally wasted and were passed out on the grass, or on grass – as the case may be. Over fifty cabs awaited those more responsible and well behaved fans that were feeling no pain. I just hope the cabbies had barf bags for the short trip home.
The Aftershock Music Festival was a complete success with thousands of fans coming out to have a good time. This should send a message to organizers that the Sacramento region is hungry for similar events in the future. I’m looking forward to the 2ndannual Aftershock Music Festival in 2013.
Here is a complete list of bands in order of appearance:
Fallrise (main stage)
Sammy Karlin (lead singer)
Matt Thomas (guitar)
Dave Gorman (guitar)
Anthony Grant (bass)
Isaiah Abdul-Rahman (drum)
Stepchild (2nd stage)
Jimmy Alexander – Lead Vocals
Matt Timbers – Lead Vocals
Garrett Voorhees – Guitar
Phil (Skip) Braun – Bass
Brian (Beatdown) Kelly – Drums
Beware of Darkness (main stage)
Kyle Nicolaides (vocals, guitar)
Tony Cupito (drums)
Daniel Curcio (bass)
Gemini Syndrome (2nd stage)
Aaron Nordstrom (lead vocals)
Rich Juzwick (guitar)
Mike Salerno (guitar)
Alessandro Paveri (bass)
Brian Steele Medina (drums)
Theory of a Deadman (main stage)
Tyler Connolly (lead singer)
Dave Brenner (guitar)
Dean Back (bass)
Joey Dandeneau (drums)
Hell or Highwater (2nd stage)
Brandon Saller (lead singer)
Matt Pauling (guitar)
Neal Tiemann (guitar)
Joey Bradford (bass)
Captain Carl (drums)
Chevelle (main stage)
Pete Loeffler (vocals/guitar)
Sam Loeffler (vocals/drums)
Dean Bernardini (bass)
Escape the Fate (2nd stage)
Craig Mabbitt (lead singer)
Monte Money (guitar)
Robert Ortiz (drummer)
TJ Bell (guitar)
Bush (main stage)
Gavin Rossdale – vocals/guitar
Chris Traynor – guitar
Corey Britz – bass
Robin Goodridge – drums
Oleander (2nd stage)
Thomas Flowers (lead singer)
Doug Eldridge (bass)
Ric Ivanisevich (
Deftones (main stage)
Stephen Carpenter (guitar)
Abe Cunningham (drums)
Sergio Vega (bass, vocals)
Frank Delgado (keys, turntable)
Hollywood Undead (2nd stage)
George Ragan (Johnny 3 Tears)
Jorel Decker (J-Dog)
Jordon Terrell (Charlie Scene)
Dylan Alvarez (Funny Man)
Matthew St. Claire (Da Kurlzz)
Daniel Murillo (Danny)
Stone Temple Pilots (main)
Scott Weiland (lead singer)
Dean DeLeo (guitar)
Robert DeLeo (bass, vocals)
Eric Kretz (drums)
As Thunder Valley Casino Resort’s Summer Concert Series heads into its final stretch, it’s only fitting to have one of the most popular traveling bands of the 80’s lead off the last month of the series.
Styx, like most of their fans, has gone through a number of changes throughout their existence. Most notably was the death of founding member John Panozzo in 1996, followed by the departure of founding member Dennis DeYoung in 1999.
Much like their fans, Styx consists of young and old including founding members Chuck Panozzo (bass) and James “J.Y.” Young (vocals, lead/rhythm guitar). Longtime member Tommy Shaw (vocals, lead/rhythm guitar), and the latest members Lawrence Gowan (vocals, keyboards), Todd Sucherman (drums), Ricky Phillips (bass).
Due to health issues Chuck Panozzo only occasionally plays with the band. We were lucky enough to have him come out and play a few songs towards the end of the night.
While not quite a sellout crowd it was still pretty packed, especially for a Thursday night. Let’s face it, anyone who’s a fan of Styx from the 80’s is getting along in years, and may find it difficult to get out on a Thursday night, and then turnaround to schlep off to work the next day. The worst part is, at some point we became responsible, gone are the days of calling in sick the next day. What’s up with that?
As Styx kicked off the show with “Blue Collar Man” and Grand Illusion,” the mostly older crowd was on their feet and cheering.
Styx was firing on all cylinders as they continued with “Too Much Time” and “Lady” as most of the crowd started to settle down in their seats. The front rows remained on their feet the entire show. Not sure how the old geezers did it, must have been a miracle drug from the 70’s or 80’s – I’m just saying.
Everyone’s vocals were crystal as they went from one hit to another. In particular were Shaw and Gowan. Gowan really stole the show with his vocals and his antics on his famous spinning keyboard, as he twirled in circles jumping onto, and off of, his keyboard throughout the night’s performance.
It was a very high energy, and highly entertaining, show as the veterans weaved their way through their numerous hits from the 70’s and 80’s.
The highlight for me was when Gowan came out performing solo on his spinning keyboard. He played a melody of songs including Elton John’s “Pinball Wizard,” the Eurhythmics “Sweet Dreams,” and then Gowan would shout a part of a song, point to the audience for them to finish the verse, and they did, on command. As he started to sing “Come Sail Away,” the audience sang their part and then he started playing the song on the keyboard with the band jumping in at the middle of the song. That’s about the time Panozzo joined the band onstage playing bass.
For their encore they blew the crowd away with “Rockin the Paradise” and “Renegade.”
These guys are pure entertainers and a great bunch of guys as some of them stayed behind to sign album covers that fans had brought to the show.
For all of those that haven’t gotten off of their sorry old ass to see Styx, I would highly suggest you do it before you get any friggin older. The last thing you want to do is make your way to your seat – in a walker!
ZZ Top, consisting of Billy Gibson, Dusty Hill, and Frank Beard on drums, kicked of their show with “I Thank You” and “Waiting for the Bus,” as avid ZZ Top fans filled the outdoor amphitheater to capacity – some diehard fans were sporting their own long beards.
A number of fans were getting their ganja on as a brief video came on introducing band members Billy Gibson, Dusty Hill, and Frank Beard on drums. You could see Beard (yes, the only one not sporting a beard) climbing into his nest of drums. Once the crowd spotted him they all began cheering.
Friday night was a special day for Beard as his brand new drum set, complete with pistons, gas tanks, and whole lotta skeletons, arrived at Thunder Valley for the drums inaugural performance. In between songs Beard could be seen admiring his sparkly new set.
As the band continued to play “Jesus Just Left Chicago,” “Pincushion,” and “Heard It on The X,” the crowd remained standing, with some fans dancing in the aisles.
ZZ Top played their latest single “I Gotsta Get Paid,” off their new album La Futura, due out in September. The song was recently in an advertising campaign for Jeremiah Weed, and appears on the soundtrack for the film Battleship. It’s a catchy tune!
This is the band’s first album in 9 years and includes “Flyin’ High,” which actually debuted in outer space. It wasn’t quite completed yet, but NASA astronaut Mike Fossum asked to hear it while en route to the International Space Station aboard a Soyuz spaceship ““ kinda cool.
They played “Sharped Dressed Man” followed by “Legs,” as they pulled out their white furry guitars, causing the crowd to cheer even louder. After “Legs” the band exited the stage, only to come back and play “Tube Snake Boogie,” “LaGrange,” and “Tush.”
While I think this was a great concert, due to the fact it was ZZ Top, I believe they missed the mark musically. At times it was difficult to make out what they were playing, which could have been attributed to the sound system. However, other concerts at this venue have sounded superb, so that would be doubtful. I may have been in the minority, as most fans were singing along to quite a few songs.
A critical error was ending the show with “Tush,” as it left the crowd, not wanting more, but expecting more, with a number of boos coming from the audience as they made their way to the exits. In fact, most of the audience remained until the house lights were brought up and Brancombe Richmond came out to thank everyone for being there and announcing the upcoming lineup for Thunder Valley’s Summer Concert Series.
I Thank You
Waiting for The Bus
Jesus Just Left Chicago
Heard It on The X
I Gotsta Get Paid
Gimme All Your Lovin
Vincent Price Blues
My Heads in Mississippi
Beer Drinkers and Hell Raisers
Sharped Dressed Man
Tube Snake Boogie
Scott Stapp, Grammy Award winning voice of the multi-platinum selling band, Creed, announces his first tell-all memoir slated for an October 2, 2012 release. Recognized as one of the most accomplished artists of the modern rock era, Stapp’s memoir, Sinner’s Creed, unleashes behind the scene realities about his suicide attempts, alcohol-induced rampages and intimate details about his abusive childhood.
Stapp is no stranger to controversy in the media, yet through the rise and fall of fame, has managed to maintain his status as a multi-platinum artist selling more than 50 million albums worldwide. Die-hard Creed fans continue to line up for Creed tickets to watch Stapp deliver an unforgettable rock experience.
Scott Stapp collaborated with David Ritz of Rolling Stone Magazine to write a compelling story of his life. Ritz, a notable writer of biographies, has written memoirs for Janet Jackson and the best seller, “Divided Soul: The Life of Marvin Gaye.”
“The book describes my childhood, my internal battle with drugs and depression and how I lost control of my life,” says Scott Stapp. “My memoir reveals never before released details about my life and the challenges I’ve faced before coming to grips and finding sobriety.”
Sinner’s Creed is a riveting, untold story of sex, drugs and rock and roll. Finally, Stapp reveals what it is like to be at the height of controversy due to his fame, faith and addictions and why he has tried to avoid one-on-one interviews until now. The book discloses the true story of a man living on the edge at full tilt. Sinner’s Creed is chock-full of page-turning experiences of a rock and roll visionary who was brought down to his knees by the pressures of fame, alcohol and an uncontrollable depression disorder. Through self-discovery and conviction, Scott Stapp was able to rise up again and walk a clean and sober path. In the midst of reconnecting with his fans while on tour, Scott has finally come full circle — a turnaround he credits to his renewed faith in God. Once a sinner, always a sinner, but what was once broken, has the power to heal.
Friday night was a spiritual awakening of sorts as Creed brought their 2012 tour to Thunder Valley Casino Resort‘s outdoor amphitheater, with lead singer Scott Stapp providing an emotional, chest thumping performance befitting a true rock-star.
Opening band Like a Storm started the show off as temperatures hovered just over 100 degrees, with Chris Brooks (lead singer/guitar), and his two brothers, Matt (lead guitar), and Kent (bass), along with drummer Roye Robley.
The New Zealand band is no stranger to Creed, this will be their fourth tour with the band and after listening to them perform, it was obvious why Creed has them open the show.
The show was to begin at 7:30, so when Like a Storm took the stage at 6:50, the crowd was pretty sparse. Kicking off with “Chemical Infatuation” and “Never Surrender,” they did a good job of getting the crowd up on their feet.
As Eve to Adam took the stage the seats were quickly filling in anticipation of Creed. With band members Taki Sassaris (lead vocals/guitar), Alex Sassaris (drums/backing vocals) and Gaurav Bali (guitar/backing vocals) they kicked off their set with”151″ and “No Regret.”
I would have preferred to see Like a Storm in the second slot. I thought they were far superior than Eve to Adam, and it would have been great to hear more songs from them.
The stage was dark as Creed band members Scott Stapp (lead vocals), Mark Tremonti (guitar), Scott Phillips (drums), and Brian Marshall (bass) quietly took the stage.
As the band started “Are You Ready,” the lights blasted on, bathing the audience in their brilliance, making it next to impossible to see what was happening onstage.
While the lighting on band members, including Stapp, was somewhat dark, the rest of the stage was lit up in various colors, with the audience getting the occasional dose of lights.
As the band went on to play “Torn” and “Wrong Way,” Stapp, who was already sweating profusely, continued pouring his heart and soul into each and every song. Stapp had total control over the audience as he would reach for the heavens with pained expressions and the occasional guttural scream.
Creed stuck to the music that got them where they’re at and only played one song, “A Thousand Faces,” from their latest album Full Circle.
Many fans believe Creed is a Christian band, but Creed has never seen themselves as a Christian band. In an interview Stapp was asked if he was a Christian artist, to which he responded, “I’m an artist who’s a Christian, because I don’t write music to be evangelical. Now, if that happens, it happens. My dad’s a dentist, and he’s a Christian. Now, does he put in Christian fillings? No, that’s just part of his three-dimensional life. Now, there are people that are Christian artists, because they have a purpose to be evangelical for Christ. I don’t feel I’ve been called to that yet. Now, that could change. There’s no telling what kind of call God will put on my life.“
I had the opportunity to ask Creed fan Angela Williams what she thought about the Concert. While she didn’t get a chance to see Like a Storm, she did see Eve to Adam and thought they rocked. As for Creed . . . “Amazing, and they left us wanting more!”
Many fans after all these years were still comparing Creed to Pearl Jam and how much Stapp sounds like Eddie Vedder. Get over it people!! Creed has their own sound, their own personality, and their own legendary status ““ stop with the comparisons.
There’s still some great summer concerts left for Thunder Valley Casino’s Summer Concert Series.
Six-time Grammy winner Earth Wind and Fire (aka EWF) took over Thunder Valley Casino Resort‘s outdoor amphitheater Saturday, transforming it into one big funkalicious delight of disco, R&B, soul, and a whole lotta lights!
As original members Philip Bailey, Verdine White, and Ralph Johnson, made their way on stage it was obvious the standing room only crowd was in for a treat, as lights started gearing up for an evening of dazzling displays, blazing colors, and an overpowering sense of deja vu.
Joining them onstage was an array of talent, as some members were jumping from one instrument to another. They were Myron McKinley (keyboards), Philip Bailey Jr. (background vocals), B. David Whitworth (vocals, percussion), Greg Moore (guitar, vocals), Morris O’Conner (guitar), John Paris (drums, vocals), Gary Bias (saxophone), Bobby Burns Jr. (trumpet), and Reggie Young (trombone).
Kicking off the show with “Boogie Wonderland,” EWF had 4,500 plus fans on their feet from the first beat to the last, as the crowd waved their hands in the air and grooved with the music.
As EWF danced their way through “Sing A Song” and “Shining Star,” the crowd remained on their feet, singing and dancing.
Towards the middle of the show, as EWF played a handful of love songs like “Love’s Holiday,” “Can’t Hide Love,” and “After the Love,” some audience members took a breather and sat down, while the majority of the crowd remained standing. Some made their way to the nearest aisle to slow dance, only to find the aisle already jammed with people swaying to the music.
As night began to take hold, the stage became a steady stream of eye-candy, as psychedelic patterns were displayed on three different backdrops, along with flashing lights and neon painted instruments.
EWF finished strong with “Let’s Groove,” “Mighty Mighty,” and “In the Stone.” As they finished their last song, fans reluctantly made their way to the exits. Some fans kept looking back at the stage hoping EWF would pop back up and give up one last song.
This was an awesome show, with great music, talent and lights!
Randy’s Rant (continued from last review): Now this is how an aging band puts on a performance. All their songs were hits from their heyday. While they have a few newer songs out, they stuck to the originals that made them popular back in the day, and they didn’t bother trying to introduce newer material. Every time I walked by the merchant booth, there was a line of people.
Next Friday Power Balance Pavilion and 107.9 The End brings you EndFest with Demi Lovato, Adam Lambert, and more. On Saturday, again at Power Balance, watch your favorite American Idol from last season’s show as they bring you some new and not-so-new material.
Don’t forget to check out the remaining shows out at Thunder Valley Casino Resorts Summer Concert Series, as they bring you the likes of Creed, Jeff Dunham, ZZ Top and more!
As in Steve Miller.
The 68 year old rocker had the sold out crowd at Thunder Valley Casino Resort‘s outdoor amphitheater rocking the night away as Miller took them on a magical ride down memory lane.
The concert was like taking a ride on a Jet Airplane to Swingtown, with a Space Cowboy and The Joker on board. Then all of a sudden – Abracadabra – and everyone was Dance Dance Dance dancing the night away ““ ok, I think the medical stuff was working its magic on me at that point, but that’s what it felt like!
Miller and his band comprised of Jacob Petersen (guitar), Joseph Wooten (keys), Kenny Lee Lewis (bass), Sonny Charles (vocals), and Gordy Knudtson (drums), came out performing “Jungle Love,” which immediately brought the crowd to their feet.
Miller continued with his hits “Take the Money and Run,” “The Stake,” and “Abracadabra,” as I’m sure some people in the crowd were reminiscing about the time they were in the backseat of their 65 Chevy, doing god knows what.
As they started playing “Abracadabra,” Miller introduced Carlos Reyes from Oakland, as Reyes proceeded to rip into his violin. Reyes also brought out a harp during an acoustic set of “Nature Boy,” “Dance Dance Dance,” and “The Window.”
Prior to the acoustic set, Miller played a number of songs from his Bingo album like “Further On Up the Road,” “Tramp,” and “All Your Love (I Miss Loving).”
That’s about the time when things slowed way down. As the crowd started mingling with each other, it felt more like an intermission. As Miller started the acoustic set, most audience members were reengaged when they hit “Dance Dance Dance,” but that quickly faded, until Miller kicked it back into gear with “Jet Airliner.”
Heading into the encore Miller was in top form with “Rockin Me,” “Swingtown,” “Space Cowboy,” and finishing the night with “The Joker.”
Even with the lull of newer songs this was a great night of entertainment, providing everyone in attendance with a stroll down memory lane.
Don’t forget to check out Thunder Valley Casino’s upcoming Summer Concerts.
Randy’s Rant: Aging artists should stick to the hits that got them there. While I understand the need to sell their latest CD, they need to understand their audience. Many of their fans are in the older demographic, and might only go to one or two shows a year. When they do finally get out to a concert they want to be entertained by the rocker of yesteryear, not yesterday.
I truly believe that if they stuck to the older hits, this will in turn cause people to want to listen to their newer stuff. As fans are leaving, going to get a beer, or going to drain said beer, they would be more inclined to stop off at the merchant table and pick up the latest CD. If not, click the link below and buy the damn thing.
I could be completely off base, but since this is my blog I get to blather on about a whole lot of nothing.
Berlin Featuring Terri Nunn performed their first concert of 2012 at Thunder Valley Casino Resort’s Pano Hall on Friday. Nunn put on an electrifying performance that had the crowd singing and dancing throughout the show.
First up though was Larisa Bryski, a Sacramento area native. Bringing her signature mix of classic rock, drizzled with a dollop of pop, Bryski kicked it into high gear from the start with “Butterflies.”
Joining Bryski onstage was Willy Seltzer (guitar), Tommy Armstrong-Leavitt (guitar), Andrew Houston (bass), and Darrell Hale (drums).
Bryski did an awesome job getting the crowd jump started for Berlin. The band performed flawlessly with Tommy Armstrong-Leavitt stealing the show with his guitar work, as he effortlessly blasted out riff after riff.
After Bryski exhausted the crowd there was a quick intermission to make way for Berlin.
The new wave group Berlin took the stage with Nunn singing “Masquerade.” As Nunn made her way to the front of the stage, I realized she was much taller than I remember ““ if anyone has seen Nunn perform, you will realize this was a joke. For everyone else, let’s just say she’s small in stature, but makes up for it in personality and singing ability.
Nunn “‘s vocals were pristine and downright awesome, sounding much like she did years ago when she originally recorded Berlin’s chart topping “Take My Breath Away,” from the movie Top Gun.
Talk about a ball of energy. She continued back and forth between band members, including the drummer, the whole time belting out hits including “A Matter of Time” and “The Metro.”
The temperature in Pano Hall started to rise as things started to get steamy between Nunn and guitarist Carlton Bost, with Nunn sidling up to Bost and getting very in your face, or should I say in his face. It was quite a show and well worth the price of admission!
In addition to Bost there was Dave Schulz on keyboards and Chris Olivas on drums.
There was a touching moment when Nunn performed “Mom,” a song she wrote and dedicated to her mother. She wrote the song after her mother had passed away.
Afterwards Nunn kicked it back up a notch and had the audience on their feet as she made her way through the crowd. Being a tad short, Nunn had some assistance getting up on a chair in the middle of Pano Hall so everyone could see her. As she made her way back to the stage, she asked a strapping young security guard to lift her up on stage. Once Nunn was safely on the stage, the security guard was rewarded with a big hug from Nunn.
Nunn’s the real deal and is still going strong after all these years. She sounds and looks great and at 50 she’s still a little hotty.